Your Hosts: Brandon, Mary, Dan, and Howard What’s the difference between villains and antagonists? In this episode a large part of what we’ll focus on is person-vs-environment as opposed to person-vs-person. There’s no avoiding them, but there are definitely ways to use them incorrectly. Your Mini-Episode Hosts: Amal El-Mohtar and Maurice Broaddus, with Special Asides from Mary Robinette Kowal We’re a week in to NaNoWriMo. Your Hosts: Brandon, Mary, Amal, and Maurice This week we welcome Amal El-Mohtar and Maurice Broaddus to the Writing Excuses cast for a discussion of active characters. RSS feed Share Share Writing Excuses Season Ten. Mary’s … Continue reading 13.23: Internal Conflicts →. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson. Howard: I’m Howard. a guest Sep 16th, 2015 5,719 Never Not a member of Pastebin yet? Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. Read it, and then read the dissent. And if Maurice sounds familiar, he joined us at GenCon for episode 7.40 back in 2012. Season 4. Take something you’ve written to a targeted beta reader. Write a solution to one of your characters’ problems off the top of your head. Myths and Monsters, narrated by Nicholas Day (currently available on Netflix), Your Hosts: Brandon, Mary Robinette, Dan, and Howard The characters we create are not all destined for long lives. ), Your Hosts: Brandon, Mary, Dan, and Howard When Mary says we could do fifteen different episodes on character arcs, she’s being conservative. Season 5. * How do you edit an existing manuscript to give characters interests which mesh with the plot? As of this writing, she holds the record for longest single spaceflight by an American. ‎Brandon Sanderson, Mary Robinette Kowal, Howard Tayler, and Daniel Wells discuss writing techniques in a fast-paced, 15-minute format. Note: The apology strips Howard mentioned begin with this strip. Take those grammar rules and apply them to dialog from one of your characters. Come up with a method for immortality, and then convince your protagonist not to use it. The Usual Suspects, by Maurice Broaddus →, 13.3: What Writers Get Wrong, with Aliette de Bodard, 13.11: Writing Secondary Characters, with Charlaine Harris, 13.12: Q&A on Heroes, Villains, and Main Characters, 13.15: What Writers Get Wrong, with Mike Stop Continues. 13.4: Protagonists Who Aren’t Sympathetic, 13.7: What Writers Get Wrong, with Lou Perry, 13.18: Naturally Revealing Character Motivation, Read “The Listeners” by Walter de la Mare, Breaking the Chains of Gravity: The Story of Spaceflight Before NASA, Riding Rockets: The Outrageous Tales of a Space Shuttle, 13.41: Fixing Character Problems, Part II, Fires of Invention: The Mysteries of Cove, Book 1, A Man on the Moon: The Voyages of the Apollo Astronauts, Project in Depth (“The Mother of All Crunchy”), 8.42: The Internal Heckler vs. 2015-02-16 6. No homework. Sep 28th, 2015. Brandon: This is Writing Excuses! Your Hosts: Brandon, Mary Robinette, Dan, and Howard The characters we create are not all destined for long lives. Your Hosts: Brandon, Mary, Dan, and Howard This is the first of two episodes in which we’ll talk about how we, your hosts, fix the problems we’ve identified with the characters in our work. Illusmm1, Your Hosts: Brandon, Mary, Dan, and Howard What motivates us? Dec 30 2018 732. I merely upload it, so that I can embed the episodes into my podcast app. And here we are, at the final episode of Writing Excuses, Season 2. Denning, narrated by Robert Garson, Your Hosts: Howard and Dan, with special guest Lawrence Schoen Lawrence Schoen, clinical psychologist, cognitive hypnotist, small press publisher, Klingon language expert, and novelist, joined us at GenCon Indy for a bonus episode about elephants and death. My boyfriend recommended this podcast to me yesterday and then I was listening to some episodes while working last night. Liner Notes: Mary references her interviewing of rocket scientists and astronauts, which we just talked about last week. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. A: No. All the transcripts. Write down five simple characteristics which make birds birdy for you. Season 1. 13 DEC 2015; Writing Excuses 10.50: How to Hand-Sell Your Manuscript to Agents and Editors, with Michael Underwood and Marco Palmieri Writing Excuses 10.50: How to Hand-Sell Your Manuscript to Agents and Editors, with Michael Underwood and Marco Palmieri If you haven’t yet read The Calculating Stars: A Lady Astronaut Novel, by Mary Robinette Kowal, you may wish to rectify that prior to listening. Now take something that has been expressed via free indirect speech and unpack it into the narrative. Season Thirteen: Character all year long! I'm not sure if it's the new format of different hosts, or the hosts themselves, but I am underwhelmed this season. Season 2. Read works by the nonbinary writers Rose Lemberg and A. Merc Rustad. For now: 1. Message the mods. Warlock Holmes: A Study in Brimstone, by G.S. [Brandon] This is Writing Excuses, Character Voice. Write a flashbacks scene that reveals a key bit of a character’s backstory. Take a character motivation and express it via free indirect speech. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. Writing those characters is tricky. Members. By lizbusby, April 2, 2018. Share. Writing Excuses Season 2 Note. More Kjell Lindgren! Season 2. Over the years we've won a bunch of awards, we've showcased a phenomenal who's who of fantasy, science fiction, and horror authors, and we've had the privilege of being there when exciting new authors start promising new careers. If you’re scared of it, Amal is here to tell you that it’s okay to feel that way, Maurice is here with the encouraging words “consequence-free.”. One thing that they have in common is that they’re all members of the Asian Disapora, and in this episode we’ll learn what kinds of things writers get … Continue reading 13.24: What Writers Get Wrong, with Piper, Aliette, and Wesley, with special guest Ken Liu →, The Paper Menagerie, and Other Stories, by Ken Liu, Your Hosts: Brandon, Valynne, Dan, and Howard Brandon wanted to ask us how our perspectives on character have changed since the very beginning of our writing. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. How much backstory needs to be written before you start in on the manuscript? Your Hosts: Brandon, Mary, Dan, and Howard When Mary says we could do fifteen different episodes on character arcs, she’s being conservative. Credits: This episode was … Continue reading 13.37: What Writers Get Wrong, with J.Y. Writing Excuses Notes—Season Six. Season 8. Look up doge-speak. How is an obstacle character different from those other two? This season, I find myself stopping episodes partway (which says a lot considering they're only 15 min). Moderators. Season 14: Worldbuilding! How can we use this information to believably motivate characters? Writing Excuses Season Four Episode 13: Juggling Multiple Viewpoints Think about a bird. The tools include the Kowal Relationship Axes (Mind, … Continue reading 13.26: Character Relationships →. Take a flat character from media you’ve consumed and write a backstory to make them less flat. [Dan] Because you're in a hurry. We’re discussing protagonists who, per writer intent, do not engender audience sympathy. Never ... Apollo 13 is another great example of a good film where you might know exactly what is going to happen, but still find it compelling. Last week’s episode may have sounded like the last one for 2018, but that’s an artifact of December having five Sundays rather than four. Liner Notes: Brandon mentioned Howard’s “Tyrannopotomus Rex” doodle as part of the writing prompt. “El is a Spaceship Melody,” by Maurice Broaddus. So you want to write a story? Writing Excuses Season Four Episode 13: Juggling Multiple Viewpoints. * How do you maintain interest in a character who is largely inactive? We then set about discussing how to find alpha readers, and how to employ them in order to make your work better. Season 2. 15.05: Setting Goals for Your Career. Update: 2009-05-03. Your Hosts: Brandon, Mary Robinette, Amal, and Maurice Narration is that stuff which tells your story, but isn’t dialog. Your Hosts: Brandon, Valynne, Dan, and Howard For our purposes, the term “flat character” refers to a character who lacks the depth required to maintain reader interest. Trace the skyline of a mountain. #1. Home. Season One Index Season Two Index Season Three Index Season Four Index Season Five Index. Then make one of your own secondary characters be from Ecuador. * Do you create standard dossiers for your characters? Your Hosts: Brandon, Mary, Dan, and Howard What motivates us? We look at the shapes of these arcs, how they progress in our narratives, … Continue reading 13.22: Character Arcs →. Writing Excuses notes, Season 6 Yeah, I can't think of a lead-in this time. Sitemap. This week we talk about other, less fatal ways in which a character story can be finished, and how we, as writers, can tell when we’re done with a character arc. What are your thoughts on Season 13. We also talk about the more formal act of interviewing people¹, and how to … Continue reading 13.31: Learning to Listen as a Writer →. [Mary] 15 minutes long. Barsk: The Elephant’s Graveyard, by Lawrence Schoen, narrated by J.G. Go about Writing a hero with no arc “ small ” mean us. 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